Gig: 5/29/1983, The Alarm, The Marquee, London

Day Seventeen: Tuesday 14 June 2005 James Stevenson arrives back with his son Oscar in tow. We decide to tackle the guitars on ‘Cease And Desist’. Out comes the cherry red 12 string Gibson 335. This is the guitar that gave such a distinctive sound to ’45 R.P.M.’. The intro riff sounds great even though it takes an age for James to get used to the correct way of playing [read more]

Day Twenty Eight: Wednesday 29th June 2005 Martin Wilding records more of my guitar parts (Fender Telecaster plugged into a Vox A.C.10), on ‘Few And Far Between’ and ‘Raindown’. Just in case anyone is interested, the CD’s we have lying around in the studio are: Kaiser Chiefs – Employment Editors – Munich {Single] Bright Eyes – Digital Ash In A Digital Urn Bright Eyes – I’m Wide Awake, It’s Morning [read more]

Description: b/w Blaze Of Glory (1983) + bonus 7″ (Room at The Top b/w Reason 36) Tracks Absolute Reality (Single version) Blaze Of Glory (1983 Version) (Single Edit) Room At The Top Reason 36 Notes: